This was the view from our Cumbrian cottage last week; no two days of weather were alike. I loved the dark shapes of the skeletal trees against the snow-covered hills, and attempted to simplify their shapes with a retractable pencil in my pocket sketchbook.
WordPress prompt: Simplify
The post Skeletons in the Snow first appeared on Filbert & Smudge.
…and with a few waves of the hand the offending sketch had gone. Magic!
Charcoal is a wonderful medium for learning to draw: it’s relatively inexpensive; you don’t have to start with a blank white page; you can draw with both charcoal and erasers; and willow charcoal can be easily wiped away. You and your work area will get dusty, but that’s half the fun. I have no idea why it’s taken me this long to appreciate it.
If you’re beyond outlines and ready to tackle light and shadow I can recommend Clara Lieu’s YouTube series on drawing a charcoal portrait to get you started, no matter your subject; read my review here.
If my internet connection hadn’t failed on both the evening I finished and the following morning, I would have left my own charcoal still-life alone. The unusual disruption gave me pause to crit (and continue) my drawing for the Art Prof’s October Art Dare: Superstition, by adding my hand.
I love the tradition of superstitions, and “touch wood” is one my family often uses to repel fate or bad luck. There are a couple of clues to this hidden in my composition; can you spot them? Answers on a postcard…
The post Dusted and Done first appeared on Filbert & Smudge.
Over the last few days I’ve been dabbling with the same courgette drawing, rather than creating several new ones, so I know I’m ready for a new topic. There isn’t much of October left, but I’m currently brainstorming ideas for this month’s Art Prof Art Dare: Superstition (and have other project ideas awaiting my attention, too).
I’m not sure if my own superstitions would make sense to anyone else, but they’re not supposed to be rational; they’re a kind of behavioural guide. I, for example, am superstitious that if I miss a day’s drawing I’ll end up back at square one. Not that adding bits to the same courgette drawing over several days constitutes actual drawing.
The post Knocking on Wood first appeared on Filbert & Smudge.
Developing a regular drawing habit has taught me a few things. For one, I was under the illusion that my drawing ability was more advanced than it actually is. Not particularly surprising as, over the years, I’ve practiced drawing sporadically. I’ve also become so comfortable with life-drawing I find other subjects difficult. Until recently, I didn’t even know how to begin a drawing. There was no set process, I just played about making the odd mark, then I was on my way. Each drawing just seemed to evolve.
As I’m now re-learning to draw, I’m also learning to accept I won’t always like what appears on the page in front of me. If you’ve noticed a gap between where you currently are, and where you think you should be, here are some suggestions to reframe your view…
Focus on the tactile quality of your drawing medium. If you’re feeling apprehensive about the outcome of a sketch, concentrate on what it feels like to handle your choice of medium, or make marks on your paper, instead.
Don’t judge your drawings; look at them with an objective eye. Muse over what you’re learning (from the medium, your technique, the subject…) and decide how you want to approach your next drawing. What would you repeat or do differently?
If you’re anxious about drawing, either complete it as early as you can, or promise yourself a treat when you’re done.
Add a smiley face to your calendar after every drawing session. You turned up to the page, and that’s just as important as the accuracy of the lines you just drew. There are many ways to record your progress; I chose smiley faces, and they’ve helped me draw daily for a whole month!
The post The Daily Sketch (3) first appeared on Filbert & Smudge.
Regardless of your drawing experience or ability, daily drawing is an undemanding way to build creative confidence and develop muscle memory. Last week I shared three tips that helped me to begin drawing daily. If the blank white page leaves you with stage fright, try a different approach with these three suggestions:
Decide what you want to achieve with each drawing. Trying to capture everything in one drawing might leave you feeling overwhelmed. So focus on one aspect of your subject, or just use it as a means to explore your media.
Plan your drawing before you begin. Are you going to do a detailed study of a small area or attempt the full caboodle? The negative space around or between objects can be just as interesting as the subject itself. And, if your drawing is quite detailed you may prefer to…
Complete your drawings over several sessions. Don’t feel you have to attempt a new one every day. Even simple sketches can be built up over several sessions. Giving yourself and your drawings breathing space lets you reflect on your progress, and helps you minimise overwork.
The post The Daily Sketch (2) first appeared on Filbert & Smudge.