Regardless of your drawing experience or ability, daily drawing is an undemanding way to build creative confidence and develop muscle memory. Last week I shared three tips that helped me to begin drawing daily. If the blank white page leaves you with stage fright, try a different approach with these three suggestions:
Decide what you want to achieve with each drawing. Trying to capture everything in one drawing might leave you feeling overwhelmed. So focus on one aspect of your subject, or just use it as a means to explore your media.
Plan your drawing before you begin. Are you going to do a detailed study of a small area or attempt the full caboodle? The negative space around or between objects can be just as interesting as the subject itself. And, if your drawing is quite detailed you may prefer to…
Complete your drawings over several sessions. Don’t feel you have to attempt a new one every day. Even simple sketches can be built up over several sessions. Giving yourself and your drawings breathing space lets you reflect on your progress, and helps you minimise overwork.
The post The Daily Sketch (2) first appeared on Filbert & Smudge.
I’m getting used to my new daily drawing habit, with 17 consecutive days under my belt so far. As the first few days are still fresh in my mind I’ll admit it wasn’t easy to start my daily sketchbook appointment. So, if you’re contemplating daily drawing, but aren’t sure you’ll keep it going, here are a few suggestions to help you over the first few hurdles:
*Choose a simple subject that you’d be happy to keep drawing over several days. I started with a mini still-life of golden yellow plums on a chocolate brown saucer.
*Keep the subject small so you can move it if you need to. As my plums were on a saucer, I could pop them in the fridge overnight, and set them up when I was ready to draw.
*Use a media you’re comfortable with for your first piece. I started with a simple collage and drew over the top, so I could explore colour and line in a fun way.
Look out for a few more tips next week!
The post The Daily Sketch (1) first appeared on Filbert & Smudge.
Two quick ink sketches of Derek in his birthday suit. On the left, I used a cotton bud to capture tones; on the right I used a paintbrush and focussed on outline.
The post Two Dereks first appeared on Filbert & Smudge.
Sketchbook play from my weekly life-drawing class.
The post Life in Sketches first appeared on Filbert & Smudge.
If you had a year to teach yourself to draw and paint, how would you go about it?
Here’s the thing…
I love drawing. I understand the theory, and can draw pretty well with either my right or left hand (and which hand I choose usually depends on my mood). I’ve even taught drawing in an informal way. But if I was suddenly asked to draw or paint something in front of me, without any mental or emotional preparation, I’m not sure I could do it. As I spend the majority of my drawing time in life-drawing class, in my own head I feel I would struggle to draw anything else. And with a new blog year pending, I’d like to approach this art thing in a whole new way.
As a recently returned dressmaker, I’m pacing my re-learning by choosing projects according to the fabric I wish to sew and the techniques I want to practice. My map will be drawn out by my Wardrobe Architect, and the souvenirs of my journey will be the new outfits I have to wear.
However, with drawing I’m completely stuck. My key objective is to pick any of my art materials at random and draw (or paint) whatever is in front of me, without having to do a mental warm-up first. But as this is driven by technique the subjects aren’t as obvious. And without a plan, this challenge would be meaningless. I’ve started listing things to try, such as line, tonal values and shading over a three-dimensional surface, but at the moment my short list isn’t firing up my enthusiasm. So, I need your help…
If you had a year (or less) to teach yourself to draw and paint, how would you go about it?
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WordPress prompt: Meaningless
The post A Drawing Dilemma first appeared on Filbert & Smudge.