…and with a few waves of the hand the offending sketch had gone. Magic!
Charcoal is a wonderful medium for learning to draw: it’s relatively inexpensive; you don’t have to start with a blank white page; you can draw with both charcoal and erasers; and willow charcoal can be easily wiped away. You and your work area will get dusty, but that’s half the fun. I have no idea why it’s taken me this long to appreciate it.
If you’re beyond outlines and ready to tackle light and shadow I can recommend Clara Lieu’s YouTube series on drawing a charcoal portrait to get you started, no matter your subject; read my review here.
If my internet connection hadn’t failed on both the evening I finished and the following morning, I would have left my own charcoal still-life alone. The unusual disruption gave me pause to crit (and continue) my drawing for the Art Prof’s October Art Dare: Superstition, by adding my hand.
I love the tradition of superstitions, and “touch wood” is one my family often uses to repel fate or bad luck. There are a couple of clues to this hidden in my composition; can you spot them? Answers on a postcard…
The post Dusted and Done first appeared on Filbert & Smudge.
Four things I’ve learned this week:
- Tweaking your still life is a form of procrastination, or a sign that something isn’t quite right.
- Willow charcoal is very forgiving; you can dust away an hour’s worth of drawing as if it never happened.
- When lightbulbs fail to make the right impression, natural light can be your (and your still-life’s) saviour.
- Charcoal pencils and eraser pencils are great neighbours, and fantastic for capturing counterchange*.
I’ve lost count of how many times I’ve started (and erased) my still-life drawing for the Art Prof October Art Dare: Superstition. With the arrangement I’d set-up, I decided charcoal was probably the worst medium I could have chosen, and was so fed up with it I started to dismantle simplify it yesterday. But I’d already wasted spent enough time tweaking my still life and wasn’t prepared to give in.
With a simpler set-up, and the afternoon daylight settling over my still-life (and no specs to blur things a little), today I made progress that’s worth celebrating!
*counterchange (noun), patterning in which a dark motif on a light ground alternates with the same motif light on a dark ground
The post Daring Myself first appeared on Filbert & Smudge.
Over the last few days I’ve been dabbling with the same courgette drawing, rather than creating several new ones, so I know I’m ready for a new topic. There isn’t much of October left, but I’m currently brainstorming ideas for this month’s Art Prof Art Dare: Superstition (and have other project ideas awaiting my attention, too).
I’m not sure if my own superstitions would make sense to anyone else, but they’re not supposed to be rational; they’re a kind of behavioural guide. I, for example, am superstitious that if I miss a day’s drawing I’ll end up back at square one. Not that adding bits to the same courgette drawing over several days constitutes actual drawing.
The post Knocking on Wood first appeared on Filbert & Smudge.
A medley of yellow plums in: [day 1] collage with pen and ink; [days 2-7] pencil; and [days 8-10] my own recipe of ‘ink’ topped with pencil and conté pastel. The beginning of a new daily drawing habit. Long may it…
WordPress prompt: Continue
The post Plumdinger! first appeared on Filbert & Smudge.
Art Prof’s new website The beginning of a new month welcomes the next Art Prof Art Dare, and it’s an unusual but interesting one.
Sadly, I never even made an attempt to doodle my thoughts for last month’s Art Dare, so I’m totting up unfinished challenges as fast as I’m completing them. I had a couple of ideas for the March Dare, but with so many other demands, I didn’t factor in any creative time. Oops!
So, this month, we’re being challenged to draw at least two self-portraits using only line, to represent the contrasting sides of our personalities. I like the theme of this challenge, for its hint of conceptual art and focus on line rather than form. Fortunately there are also a couple of examples on the Art Prof’s new website for inspiration. I have amassed numerous sketchbooks over the years, so would like to attempt a few drawings just to try out the different papers. Well, I did resolve to become prolifically creative. Now, where did I put the calendar?
The post I Dare You! first appeared on Filbert & Smudge.